The Gas Chamber of Sherlock Holmes

11. The Fear of Cremation and Poison Gas

THE MODERN ADVOCACY OF CREMATION was only about sixty years old by the time the National Socialist dictatorship began.360 Two factors tended to support the procedure: a chronic lack of burial space, and hygienic requirements, including disease control.361 On the other hand, the procedure inspired sometimes violent opposition, largely because it conflicted strongly with both Christian and Jewish conceptions of body disposal and the hopes of the afterlife.362 As a result, the development of the procedure in the 20th Century was slow.363  

Advocacy of the process increased throughout the late 19th and early 20th Century, especially in Germany, where it was associated with rationality, modernity, and public health.364 By the beginning of the 1920's, less than 2% of the deceased in Germany were cremated, but by 1930 that number had increased to over 7%.365 The National Socialist government gave its support to the process by the law of 1934, placing cremation on the same level as more traditional burial practices.366 Many have commented subsequently on the rapid development of the practice, and have noted that it represents the "full mechanization" of modern life,367 and, as such a strong rupture with traditional life. What needs to be appreciated, however, is that rapid changes in how people live also affects how they perceive the life they are living: no doubt many of the fearful perceptions of cremation were related to that rapid cultural change which shook traditional faiths368 -- "The modern world is an anti-Christian world," so wrote the leader of German Social Democracy, August Bebel, in 1884, who, in accordance with his Will, was cremated in 1913.369  

Probably as a result of these anxieties about cremation, the procedure became the focus of a number of strange ideas. One of these was that cremation was suspicious, because, by burning a body a post mortem on the cause of death would be next to impossible to carry out.370 Under such conditions, all manner of murder, poisoning, and other activities could be carried out secretly.371 It was this element that clearly excited the German people, especially after the National Socialist government not only endorsed cremation for an overcrowded Germany but also made it mandatory in all concentration camps.372

A second aspect of cremation concerned utopian and futuristic ideas of recycling. Aldous Huxley would clearly articulate the idea in his negative utopia "Brave New World" in 1932:

Following [the train's] southerly course across the dark plain their eyes were drawn to the majestic buildings of the Slough Crematorium. For the safety of night flying planes, its four tall chimneys were flood-lighted and tipped with crimson danger signals. It was a landmark.

  "Why do the smoke-stacks have those things like balconies around them?" enquired Lenina.

  "Phosphorous recovery," explained Henry telegraphically. "On their way up the chimney the gases go through four separate treatments. P2O5 used to go right out the chimney. Now they recover over 98 percent of it. More than a kilo and a half per adult corpse. Which makes the best part of four hundred tons of phosphorous from England alone." Henry spoke with a happy pride, rejoicing whole-heartedly in the achievement, as though it had been his own. "Fine to think that we can go on being socially useful even after we're dead. Making plants grow."373

Cremation was not only associated with recycling and various sinister motivations. Some of the claims made about the process can be connected to various other fantastic claims made about German technological and even medical innovations which were typical during the war and in the immediate postwar period. For example, it was claimed by the Soviets at Nuremberg that German doctors had perfected a method of infecting people with cancer374, and General Patton, in his memoirs, seemed to take seriously a claim that a Germans doctor had been able to keep a brain alive, separated from its host.375 When plans for a German space station were uncovered -- a development which made sense in terms of the German space program -- it was reported in the American press as a plan for a platform that would use a giant mirror to reflect the sun's rays back to the earth in concentrated form in order to incinerate cities or boil "part of the ocean."376 Speculation about the development of the so-called "Sun Gun" was matched by the hysteria of Allied pilots beginning in the Fall of 1944, who began to report small balls of fire tracking their aircraft over Germany -- these "Foo Fighters" or "Kraut Balls" were said to be remote controlled flying objects sent up by the Germans to sabotage the electrical systems of Allied planes; although they appear to have been nothing more unusual than St. Elmo's fire.

Cremation falls into this category of technological superstition because of the fantastic burn rates attributed to German crematoria. It was not uncommon during the immediate postwar period to hear testmonies asserting that German cremation ovens could burn thousands of people in a single day377, or that the Germans had devised a "special procedure" for burning thousands of bodies in the open air without fuel,378 just as one could hear testimonies arguing that thousands of people could be packed into a space for gassing which normally would scarcely contain hundreds by use of "the German method."379

Notwithstanding these attributed rates of cremation, which according to one document, suggests that bodies could be burned to ash in fifteen or twenty minutes,380 the facts, developed by the Italian researcher Carlo Mattogno, are simply otherwise. The cremation of a body has a thermal barrier of about 40 minutes for the reduction of body proteins and about 20 to 30 minutes more to reduce the bones to ash.381 Bearing these facts in mind, derived in empirical tests by British cremationists in recent years,382 we are forced to conclude that the daily capacity of German crematoria are more realistically measured in the several dozens rather than the several thousands. It follows also that the existence of crematoria cannot be cited as evidence of an intent to exterminate, as was argued then, and even though that claim is still encountered from time to time to this day.

To a certain extent the German leadership is responsible for encouraging the Allies to make exaggerated claims about German technological prowess. The constant talk of wonder weapons that would turn the tide of war helped maintain homefront morale. On the other hand, such claims, coupled with the very real German innovations in weapons technology, including jet aircraft, rocket planes, cruise missiles, guided missiles, and many others, were bound to lead the Allies to believe that the "latest word in fascist technology"383 would have no limits and thus any claim became plausible: even crematoria that could defy the laws of nature, or which were in fact "gas ovens".384

There were also cases where the Nazi leadership, and specifically Adolf Hitler, would attempt to gain a psychological advantage by exaggerating German technological capabilities. For example, when the Germans invaded Belgium in May, 1940, they seized the fortress of Eben Emael in 24 hours, much to the astonishment of the Allies. In a speech, Hitler attributed the success to a special weapon or Angriffsmittel, whose character he would not divulge. His coy announcement immediately created apprehension among the Allies, as well as speculation about the nature of the wonder weapon: bombs containing liquid oxygen as well as a paralyzing and non-lethal nerve gas were both suggested as possibilities.385 In fact, the legendary Angriffsmittel turned out to be nothing more complicated than a shaped explosive charge, but that does not mean that these other contemporary speculations are valueless to the historian. On the contrary, because they represent almost pure projection, they tell us a great deal about the widely-held beliefs in German technological and scientific prowess as well as about then common concerns with specific types of weapons, including poison gas.

Even more than cremation, poison gas raised great fears. Doubtless much of this was directly due to the extensive use of gases in the First World War, which injured over a million men.386 A number of gases were used in that war, but two appear to have particularly excited the popular imagination. The first of these were the blister gases, or vesicants, commonly called mustards, which were notorious for scarring and disfiguring their victims.387 It was clearly this kind of gas that the German people were thinking of when the euthanasia rumors developed.

The second gas was hydrocyanic acid, or cyanide gas, whose usage in the war was not very successful, but which nevertheless created a very odd optimism about the use of this odorless, invisible, almost instantly lethal and therefore painless gas.388 A practical side effect of this optimism was the appropriation of cyanide gas for executions in the United States in 1924.389

A brief perusal of inter-war culture makes it clear that poison gas, and the effects of its use, were very much a part of the cultural landscape. The Austrian Vicki Baum's novel, Grand Hotel, later made into a widely popular film in 1932, featured events in a Berlin Hotel, the narrator of which was a doctor, whose face had been hideously scarred by mustard gas in the Great War.390 Pabst's Kameradschaft (1931), a film that describes a group of German miners who bravely tunnel across the border to rescue their French comrades, features at its climax the hallucination of a wounded Frenchman, who sees the German trying to save him suddenly as a soldier, in gas mask and coal scuttle helmet, emerging from a cloud of gas. The film also juxtaposes the gas explosion in the mine that traps the Frenchmen to the communal shower room of the German miners: perhaps already here we have the popular image of showering and gas combined.391  

In one of his better known assaults on the German bourgeoisie, the Weltbühne critic Kurt Tucholsky would casually mention gassing his opponents, sardonically describing the gas that would seep into the houses and kill children, women, and men alike.392 And Ernst Krenek, in his opera, Der Diktator (1926), which tells of a dictator that controls a nation with hypnotic powers, features a character blinded by poison gas who sings a lyric describing the horror of a poison gas attack, emphasizing disfiguration and discoloration.393

This constant awareness of poison gas increased after the Italians made a much publicized, but perhaps overstated, use of aerial mustard gas attacks against the Ethiopians in 1935. H. G. Wells' Things to Come, in the 1938 film version, also would feature such an aerial gas attack.394

At the same time, in the fall of 1938, Europe was gripped by the threat of war as the Munich crisis unfolded. Fear of bombing was great, but so too was the fear of aerial poison gas attacks. The British government had prepared to distribute some 38 million gas masks, and after the Fleet was mobilized on "Black Wednesday", panic became a feature of gas mask distribution.395 Two other aspects of public attitudes during the crisis are worth noting: the proliferation of rumors such that, for example, a clouds of autumn mist might be interpreted as poison gas,396 and psychosomatic reactions, as when the rumor of a squadron spraying chlorine gas in East London caused the physical illness of several.397 Indeed, a government committee of psychiatrists estimated that, in the event of war, the two million estimated dead by bombing and gassing would be joined by some five to six million victims of panic and hysteria.398

The generalized fear of poison gas inarguably played a role in one of the most notorious episodes of mass hysteria in modern times: The War of the Worlds radio broadcast of October, 30, 1938.399 Following directly on the heels of the Munich crisis, and the popularity of a play that described aerial warfare, the fictionalized and updated account featured a Martian invasion of New Jersey that caused panic among tens of thousands nationwide.400 Two points about the broadcast are noteworthy: the initial destruction, at the precise point when most people would have tuned in, discussed the discovery of bodies that had been horribly disfigured and burned, and the fact that the broadcast contained a lurid description of a cloud of poison gas moving across Manhattan destroying everyone that it touched.401 The accounts in the New York Times the next day are interesting in assessing public reaction:402

Radio Listeners in Panic, Taking War Drama as Fact

Despite the fantastic nature of the reported "occurrences", the program, coming after the recent war scare in Europe and a period in which the radio frequently interrupted regularly scheduled programs to report developments in the Czechoslovak situation, caused fright and panic throughout the area of the broadcast.

Many sought first to verify the reports. But large numbers, obviously in a state of terror, asked how they could follow the broadcast's advice and flee from the city, whether they would be safer in the "gas raid" in the cellar or on the roof, how they could safeguard their children, and many of the questions which had been worrying residents of London and Paris during the tense days before the Munich agreement.

"They're Bombing New Jersey!"

Jersey City police received similar calls. One woman asked Detective Timothy Grooty, on duty there, "Shall I close my windows?" A man asked, "Have the police any extra gas masks?" Many of the callers, on being assured the reports were fiction, queried again and again, uncertain in whom to believe.

The incident at Hedden Terrace and Hawthorne Avenue, in Newark, one of the most dramatic in the area, caused a tie-up in traffic for blocks around. The more than twenty families there apparently believed a "gas attack" had started and so reported to the police. An ambulance, three radio cars, and a police emergency squad of eight men were sent to the scene with full inhalator apparatus.

They found the families with wet cloths on faces contorted with hysteria. The police calmed them, halted those who were attempting to move furniture on their cars and after a time were able to clear the traffic snarl.

East Orange police headquarters received more than 200 calls from persons who wanted to know what to do to escape the "gas."

The role of the radio in propagating the War of the Worlds broadcast was duly noted in the contemporary media. Thus the New York World Telegram would editorialize on November 1:

It is strange and disturbing that thousands of Americans, secure in their homes on a quiet Sunday evening, could be scared out of their wits by a radio dramatization of H. G. Wells' fantastic old story, The War of the Worlds.

Mr. Welles did not plan deliberately to demoralize his audience. But nerves made jittery by actual, though almost incredible, threats of war and disaster, had prepared a great many American radio listeners to believe the completely incredible "news" that Martian hordes were here.403

While columnist Hugh Johnson opined:

... the incident is highly significant. It reveals dramatically a state of public mind. Too many people have been led by outright propaganda to believe in some new and magic power of air attack and other development in the weapons of war.404

Columnist Dorothy Thompson was even more emphatic:

The immediate moral is apparent if the whole incident is viewed in reason: no political body must ever, under any circumstances, obtain a monopoly of radio.

The second moral is that our popular and university education is failing to train reason and logic, even in the educated.

The third is that the popularization of science has led to gullibility and new superstitions, rather than to skepticism and the really scientific attitude of mind.

The fourth is that the power of mass suggestion is the most potent force today and that the political demagogue is more powerful than all the economic forces.405

The reminiscences of the "survivors" of the Martian invasion also tell us a great deal about common attitudes about Germans, poison gas, and other subjects. One recalled:

The announcer said a meteor had fallen from Mars and I was sure he thought that but in the back of my head I had an idea that the meteor was just a camouflage. It was really an airplane like a zeppelin that looked like a meteor and the Germans were attacking us with gas bombs.406

And a Californian remembered:

My wife and I were driving through the redwood forest in Northern California when the broadcast came over our car radio. At first it was just New Jersey but soon the things were landing all over, even in California. There was no escape. All we could think of was to try to get back to LA to see our children once more. And be with them when it happened. We went right by gas stations but I forgot we were low on gas. In the middle of the forest our gas ran out. There was nothing to do. We just sat holding hands expecting any minute to see those Martian monsters appear over the tops of the trees. When Orson said it was a Halloween prank, it was like being reprieved on the way to the gas chamber.407

These fears were clearly carried over to World War Two itself, especially around the time of D-Day. The Allies, in their dress rehearsals at Slapton Sands, were clearly concerned about the possibility of gas attacks,408 and this fear appears to have had something to do with the disaster at Omaha Beach, when a brush fire was taken as a cloud of poison by pinned down American soldiers.409 Within a month, Winston Churchill would dictate a memorandum discussing these very matters, as well as the possibility of drenching the German cities and armaments centers with mustard gas.410

There is no question then that the fear of poison gas was very much a part of the inter-war consciousness. But we should also note that poison gases, like poisons generally, are well suited to paranoid and hysterical reactions, because by definition the substances tend towards the impalpable.411  

If, for example, gas is conceived as having an odor, then any unfamiliar odor could be attributed to a deadly gas. Berton Roueche provided a case study of such a hysterical reaction that occurred in 1971 in a Florida school: a new carpet had been laid, leaving an unfamiliar smell, a young woman fainted, because she had the flu, and within an hour dozens of students complained of being poisoned.412 This association of odor with poison, by the way, is particularly deeply rooted in Western culture, in the sense that it ties into the miasmic theory of disease,413 as well as with the Victorian belief in "vapours" which were the supposed source of hysteria among women.

On the other hand, if a gas is conceived as a cloud of smoke or mist, then any cloud of smoke or mist may be perceived as a poison gas, and this is apparently what happened at Omaha Beach.

Again, if the gas is conceived as both odorless and invisible, then we have a case where simply the suggestion of poison gas can lead to the claim of its use: this occurred during the Gulf War, when a Iraqi SCUD missile landed in Israel.414

Finally, if the gas is conceived as disfiguring -- and this is what most people had in mind during World War Two -- then the result is that any decomposed or otherwise disfigured body would be attributed to poison gas usage, and this happened in Germany following an allied raid.415 Since the Americans and British found similar scenes in the Western camps when they liberated them, there is little reason to doubt that they suspected poison gas usage for the same reasons.416

The fear of poison gas usage in the West was pervasive even before World War Two. It was variously believed that it would come in a visible cloud, or be dropped from the skies, or be both odorless and invisible, and would kill instantly with terrible disfiguration. Thus the culture was primed for accusations of poison gas usage. But, since the main fear was that such gas would be delivered from the air, we would also expect gas protection to be a prominent feature of German civil defense. And indeed it was.

Notes

  1. On the subject of cremation's reemergence, see Iserson, Kenneth, Death to Dust, Galen Press, Tuscon, AZ: 1995, Fischer, Norbert, Vom Gottesacker zum Krematorium, Böhlau Verlag, Köln:1996, and see also Thompson, Sir Henry, "Cremation" in Encyclopedia Brittanica, 11th Edition, NY & London: 1910, vol. 7, pp. 403-407
  2. Cf. Thompson, loc. cit. 
  3. Thompson explores this theme in particular, but it is something of a truism in writings about cremation.
  4. Although Germany built the first modern crematorium, actual use was hindered by social attitudes, consult Thompson, loc. cit.
  5. Fischer, op. cit., p. 96f
  6. Fischer, op. cit., p. 116, the increase in cremation rates in traditionally Protestant venues was even greater, In Hamburg it climbed from 2.8% to 27.8% between 1913 and 1930.
  7. Fischer, op. cit., p 11 
  8. Fischer, op. cit., p 124, and also quoting Siegrfied Giedion, p. 101
  9. Fischer, op. cit., p 116, also p. 99ff for typical exaggerations and hostile reactions, particularly from churches, to the process.
  10. Fischer, op. cit., p. 115, his actual words were "Die moderne Kultur ist eine antichristliche Kultur", which Fischer characterizes as anti-clericalism, and probably correctly. Nevertheless, bearing in mind the psychic investment which most people have made in traditional religions, to construe his words as "Modern culture is the culture of the Antichrist" would probably not exaggerate the way in which many regarded such attitudes.
  11. Iserson, op. cit., p. , Thompson, loc. cit.
  12. Iserson, op. cit., p. , Thompson, loc. cit.
  13. Fischer, op. cit., p. 126, here we mean "mandatory" in the sense that from 1939 virtually every concentration camp would be equipped with cremation facilities.
  14. Huxley, Aldous, Brave New World, Perennial, NY: 1991, p. 48f
  15. The Soviet Special Commission on Auschwitz, USSR-8
  16. Patton, George S. Jr., War As I Knew It, Bantam, NY:1980, p. 284
  17. Life Magazine, July 23, 1945, p. The relationship of German rocket and secret weapons technology to postwar hysterias, and most particularly to science fiction and UFO hysterias, has been the subject of a number of credulous studies, but the theme has not received the mainstream exposure that it deserves, particularly because these hysterical claims flow right back to the kinds of claims repeatedly made about the extermination processes in the camps.
  18. Specifically, the Soviet Special Commission on Auschwitz claimed that 279,000 people could be cremated by the 56 Auschwitz Birkenau ovens in a month, i.e., 9,300 per day. Some eyewitnesses, e. g., Nyiszli, assert even higher rates of combustion.
  19. Testimony of Dr. Konrad Morgen, August 7, 1946, IMT vol. XX, loc. cit.
  20. Cross-examination of Dr. Bendel, Trial of Tesch, Weinbacher & Drohsinn, Public Records Office, London, UK.
  21. A document of dubious provenance (marked as a copy ("Abschrift"), reproduced in one of its forms by J. C. Pressac, ATO, p. 244, asserts half that amount. Neither number is credible because neither is possible, as even Pressac admits, Ibid. A recent article argues that the document is moreover faked, see "'Schlüsseldokument' ist Fälschung" by Dipl Ing. Manfred Gerner in Viertelsjahrhefte für freie Geschichtforschung, 1998, vol. III.
  22. Mattogno, Die Krematorienofen, in Grundlagen, pp. 288ff, 302.
  23. Mattogno cites "Factors which affect the process of cremation", Third session by Dr. E. W. Jones, assisted by Mr. R. G. Williamson, Annual cremation conference report, Cremation Society of Great Britain, 1975. It should be stressed that all of the surviving documentation on mass cremations in German camps, cited by Pressac, ATO, Mattogno, op. cit., and by Pressac (w/ Van Pelt), "The Machinery of Mass Murder at Auschwitz" in Gutman, Y. & Berenbaum, M., Anatomy of the Auschwitz Death Camp, Indiana UP, Bloomington:1998, pp. 183-246, are of orders of magnitude that support the British conclusions. None support the extravagant cremation rates argued by Pressac, e.g., in "Machinery", p. 199.
  24. A phrase from "The Factory of Death at Auschwitz" by Boris Polevoi, Pravda, February 2, 1945, p. 4. The article has been separately translated into English and annotated.
  25. The concept of "gas ovens" has been a particularly venerable one, such that the linkage of cremation, gas, and homicide has been considered well-nigh absolute. It is notable in this respect that, as previously noted, only four prosecution exhibits in the NMT concentration camp case pertained to possible gas chambers, but many more described the construction of crematoria in the camps.
  26. TIME magazine, May 23, 1940, p.
  27. Consult Crowell, Samuel, "Technique and Operation of German Anti-Gas Shelters", at, http://www.vho.org/GB/c/SC/inconpressac.html for an introduction to poison gas usage and several references. Also consult Martinetz, Dieter, Der Gaskrieg, 1914-1918, Bernard & Graefe Verlag, München: 1996, for World War One use. For World War Two non-use, consult Crowell, "Technique", also Gellermann, Günther W., Der Krieg, der nicht stattfand, Bernard & Graefe Verlag, München:1986, and for groupings of documents and document extracts pertaining to gas warfare throughout the 20th Century see Brauch, Hans Günther & Müller, Rolf-Dieter, Chemische Kriegführung-Chemische Abrüstung, Berlin Verlag, Arno Spitz: 1985, also Hahn, op. cit. , pp. 223-235
  28. Crowell, loc. cit.
  29. Crowell, loc. cit.
  30. Trombley, Executioner's Protocol
  31. Grand Hotel, 1932, Edmund Goulding, dir.
  32. Kameradschaft, 1931, Georg W. Pabst, dir.
  33. quoted by Stäglich, op. cit., p. 59
  34. quoted by Riedel, Johannes, "Echoes of Political Processes in Music During the Weimar Republic", in Hirschbach, Frank D., Germany in the Twenties: The Artist as Social Critic, Minneapolis, University of Minnesota: 1980, p. 72
  35. Things to Come,1938, William Cameron Menzies, dir. Significantly, the film also features a plague outbreak.
  36. Laurence Thompson, The Greatest Treason: The Untold Story of Munich, William Morrow, NY:1968, p. 2f
  37. Ibid., p. 210
  38. Ibid., p. 3
  39. Ibid., p. 5
  40. MacDougall, Curtis, Hoaxes, Dover, NY: 1966, p. 43f
  41. Kuebler, Harold W., ed. The Treasury of Science Fiction Classics, "The Invasion from Mars" (radio adaptation by Howard Koch of H. G. Wells' "War of the Worlds"), pp. 417-438, Hanover House, Garden City, NJ: 1954. Interesting to note that the other Martian weapon was a "death" or "heat-ray", cf. Shirer's diary entry, above.
  42.   Ibid., p. 425 and p 431f
  43. These and other newspaper excerpts come from Howard Koch's The Panic Broadcast, Avon, NY: 1970, which contains between pp. 16-24 and 89-96 reproductions of newspaper clippings.
  44. Ibid.
  45. Ibid., pp. 89-96
  46. Ibid.
  47. Ibid., p. 103
  48. Ibid. , p. 86
  49. Hoyt, Edwin P., The Invasion Before Normandy, Stein & Day, NY: 1985. Note especially the photograph of mock casualties in gas masks, section after p. 134
  50. Seagrave, Sterling, Yellow Rain: A Journey Through the Terror of Chemical Warfare, M. Evans and Company, NY: 1981, pp. 60-62, pp. 80-81, the last quoting Omar Bradley. Michael Shermer provides a war-time home-front episode of gas hysteria, concerning the "Phantom Gasser of Mattoon", op. cit., p. 99.
  51. Gellermann, op. cit., reproduces a photocopy of the entire document, pp. 249-25 
  52. We are reminded here of the mentality associated with poisons and poisonings, cf. Mackay, Charles, Extraordinary Popular Delusions and the Madness of Crowds, Noonday, NY:1970, section on the "Slow Poisoners", pp. 565-592
  53. Roueche, Berton, "Sandy" in The Medical Detectives, Pocket Books, NY: 1982, pp. 339-352.
  54. Rosenberg, op. cit., and Evans, op.cit., both discuss this, particularly in connection with the career of Max Pettenkofer. Pettenkofer was so certain that germs were not themselves etiological decisive that during a cholera epidemic he quaffed a glass of contaminated water to prove his point. He did not contract the disease. His experiment was later repeated by the Russian scientist Elie Metchnikov, with matching results. Indeed, it appears that such daring was the real motivation behind the Russian composer Peter Tchaikovsky's replication of the stunt, during the cholera epidemic of 1892-93. The fact that his attempt followed the premiere of his most maudlin symphony ("Pathetique") by only a few days, and the fact that he died as a result, has led to no end of speculation among music historians.
  55. e.g., Showalter, Elaine, Hystories, Columbia UP, NY: 1997, p. 23
  56. cf. Crowell, Defending Against the allied Bombing Campaign, xxxxx
  57. McCallum, John Dennis, Crime Doctor, Mercer Island, WA: 1978, conducted autopsies at Dachau, his comments are ambiguous. Autopsies were also supposed to have been conducted at Natzweiler-Struthof, no results indicating cyanide poisoning have been released.

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